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Design Behaviors

The design originated from nature/environment, and we understand our existence in nature/environment by how design influences us consciously and unconsciously. Its power is evidenced by how we know, what we buy, where to go, why we act, and most of all, it shows where we are now and where we are going. Design can describe sustainability or ephemerality based on its function and the message. And we acknowledge its aesthetics and purpose through five senses (sight, touch, taste, smell, and sound). Also, it manifests our feelings and conceptions. Naturally, the design is our entity. Therefore, design is not a purely natural outcome; instead, intellectual activities such as theories and methodologies construct the aesthetics and function of the forms.

Design is not art or science; it is a cross-disciplinary β€˜Art & Science.’ Hence the design discipline has increased global educational value in masters and Ph.D. programs. Our profession unifies design research methodology and terminology with adequate and innovative design research support by selective programs globally. Hence, the Design Behaviors Journal aims to share innovative and practical research methodologies globally for formulating and unifying the design discipline.

Convergencias and Design Behaviors (UDA) collaborate on research, editorials, and knowledge.